Working with a Very Wet Watercolor Variant in Corel Painter 2015

Hello Everyone,

I am still tweaking my new watercolor variants, but I decided that I would share a few brushes with you and even a couple of watercolor papers.  One of the brushes, Skip’s Real Water, actually flows almost like traditional watercolor, but unfortunately, it does require a lot of computer power to render in a timely fashion.  I will explain more later in the Tutorials at the end of the post.

As you know Corel Painter Master Elite, Karen Bonaker‘s class about Contemporary Japanese Ink Painting is underway at the Digital Art Academy.  I have followed the class and have enjoyed seeing everyone’s work and creating a few pieces myself.  I used my new brushes to create these pieces.

In the first example from the class, I made the chops in the upper right corner.  I downloaded the calligraphy from one of the sites that will translate your name.  I hope it is my name; I really don’t know.  The square chop has my name placed in the four corners, but you cannot read it…sigh.  Karen gives us a few pointers in the class and I made better chops later.

Lonely Pine, Corel Painter 2015 Watercolor, Skip Allen

Lonely Pine, Corel Painter 2015 Watercolor, Skip Allen

My second image continued with the same theme.

Life, Watercolor in Corel Painter 2015, Skip Allen

Life, Watercolor in Corel Painter 2015, Skip Allen

The chops were my two again, but I added some chops provided by Karen that mean Yin Yang, Hope, and Learn from Nature.

Next, I tried my hand at creating a new chop.  I do not believe I created one that is intensely personal or spiritual; I need to try again.  Here are my two attempts.

Watercolor in Sumi-e style with my chop, Corel Painter 2015, Skip Allen

Watercolor in Sumi-e style with my chop, Corel Painter 2015, Skip Allen

I like the soft feel of this painting, and the linear quality is very important to me.  I made pots for nearly 3 decades and my surface decorations were always linear.  The chop is also linear.  I do have my name in English running up the right side.  The S is at the bottom and the P is at the top.  It is kind of strange, right?  The second chop is identical, but I used my name in calligraphy.

Strong Bamboo, Watercolor in Corel Painter 2015 with my chop, Skip Allen

Strong Bamboo, Watercolor in Corel Painter 2015 with my chop, Skip Allen


OK, would you like to see how I did the above images?  I hope so.  In this first video, I mainly talk about the brushes used and paper and flow maps play an important part.  Actually, the brushes are useless without proper manipulations of the paper and flow maps.  The Expressions settings are also very important.  For instance, I may use Pressure or Velocity as an Expression.  If I do, then you need to have your brush tracking or brush calibration set properly for your hand.  Otherwise, you will not get the same look and feel that I get.  Also, I use a Wacom Art Pen almost exclusively.  The Art Pen allows barrel rotation, meaning you can rotate the pen in your fingers and get the same look and feel of a traditional flat brush.  If you are using a Grip Pen, then the brush will remain rigid…it will not twirl as you see mine do.  For more information go to Art Pens.

Video 1: Tips and Tricks, Corel Painter 2015, Wet Watercolor

After the first video, I decided to paint a piece similar to the ones done in class and capture the experience for you.  It wasn’t that easy.  Some tutorials are easy, and then others are full of challenges.  I actually made two complete sets of tutorials.  I had so much difficulty with the first set that I remade the videos.  There is a lot of stuff in the first set that might be useful, so I may post it anyway.  I haven’t decided, yet.

OK…here is the painting that I created in the tutorials.

Isolation, Watercolor in Corel Painter 2015, Skip Allen

Isolation, Watercolor in Corel Painter 2015, Skip Allen

Before I actually start painting, I usually create a paper layer.  I like seeing the paper texture; it makes me think I am actually painting on paper.  Check out how I do it in this video.

After I created the paper texture, I started the painting.  Using three layers, I painted the sky and mountains.

In the next video, I added another mountain and the isolated tree.  Establishing the focal point was crucial.  I did this as someone from the West.  The Asian focal point is very different, I believe.

In the last video, I place a texture over the image.  The texture came from Media Militia.  This is an incredible free resource of textures.  On their website they state: “All of our resources are free for personal and commercial use. We put a lot of time and energy into creating them. If you found something useful, help us out by making a donation. Even a donation of a buck helps pay for the crazy bandwidth costs. Thank you!”  If you do go to their site and download materials, do donate.  The service offered is well worth a donation and it is so helpful to get them.  I seldom get donations, but when I do, it’s delightful.  It is so rewarding and inspires me to produce more.  Plus, it helps with expenses.  When you donate to Media Militia, think about donating here, too.

That was the last video.  I give the brushes, papers, and flow maps used, except those from Tim Shelbourne, in the following link.

PLEASE NOTE: I made the tools (brushes, flow maps, and papers) in Corel Painter 2015, and they are not compatible with other versions.  Do not install in earlier versions.  If I get many requests for an earlier version set , I’ll produce and post it.

Get the tools here:

Wet Water Demo Category

Wet Water Demo Flow Maps

Wet Water Demo Papers

I have decided not to post the other videos.  I may change my mind later, but the image was pretty awful.  In a week or two, I’ll check them again and see if the information is valid and would be helpful to you.  If so, I’ll post them