Fun with Audio Expression Brushes


Happy Holidays Everyone,

I wish you a joyous season and a very happy New Year.

At the Digital Art Academy Community, Karen and I were doing some videos and giving away a few brushes.  I decided to add a bonus brush to my group.  For something different, I made three variants using Audio Expression painting.  I was actually surprised at the results.  The first attempt was a little on the funky side.  I wasn’t sure how to control the variants.  You can get a bit of control, but the excitement of these variants is to let them run wild and play off what the music brings to the table.

OK…so this was the first image I did.

Musical Flowers, Corel Painter 2020, Audio Expression Brushes

In the following video you can see me paint the above image.

After I posted the image and video, I heard from some that they couldn’t get the variants to work like they did for me.  I did a few test and realized it had to be a difference in resolution.  I provided this video.

Then i did a practice landscape and left it soft.

Audio Expression Landscape, Corel Painter 2020, Audio Expression Variants

The next painting I captured in a video.  I do the initial painting and then bring in thick paint and pastels to give a few details.

Mixed media, Audio expression, thick paint, pastels, Corel Painter 2020

And here is the video:

Following are the three new variants I created to make these paintings.  To load them, you need to open Painter, decide which category you want to put them in, then go to Brushes > Import > Brush and navigate to where you saved the variants.  The brush will be installed in the currently active brush category.   These variants are for Painter 2020.  (EDIT) After posting, the variants have been altered to work with 2018, 2019 and 2020.

Relax to Music Brush

Relax to Music 2

Relax to Music 3

Enjoy and have the Happiest of Holidays,

Skip

You Asked for It; Skip’s Ultimate Thick Paint Compatible with Painter 2018 and 2019


Hello,

Several folks wanted the variants for earlier versions of Painter.  Thick Paint was introduced in Painter 2018.  I was able to take the brush category back to Painter 2018.  I changed the name to Skip’s Ultimate Thick Paint 18.  If you have Painter 2018 or Painter 2019, you can upload this category and use it in either version.  If you have 2020, it will work in it, too, but I would recommend that you download the version I made in 2020.  That version will work best in 2020.  You can download the category below.  Click on the red type.

Skip’s Ultimate Thick Paint 18

And don’t forget to donate if you can.

Here is a little teaser.  This is a test piece…I doodle with the brushes as I am making them.  This is an example of a doodle.

Doodle testing Skip’s Ultimate Thick Paint. Corel 2020, Thick Paint

 

Enjoy,

Skip

Free Thick Paint Brushes; New Papers Available for Corel Painter


Hello Everyone,

I finally have my new category of brushes finished.  I call them Skip’s Best Thick Paints, and I believe they are my best thick paints.  I wanted a set that included stiff bristles and palette knives.  I also wanted to create a set that would work well with a new set of papers I designed and offered by Corel called Dynamic Papers.  You can get the papers by opening Painter, then go to Help > Welcome > Get More > Dynamic Papers.  There is another set available called Natural Papers that look mighty good, too.

The following videos will tell you about the brushes, papers, and a paper script library that can be downloaded .

The previous post shows some examples of work done with the new variants.  This is a work in progress, but will show you how nice the textures can look with these variants and papers.

Work In Progress, Corel Painter 2019, Watercolor and Thick Paint Variants, and Dramatic Papers

You can download the brushes at following link:

Skip’s Best Thick Paint

You can download the Paper Script Library at following link:

Paper Scripts-1

I hope you enjoy the brushes.  I think they are some of my bests.  If you do like them and find they are useful…consider making a donation.  Thank you bunches.  Skip

David Gell Brushes are Here!!!


Hello Everyone,

I know…I have been a very bad person and neglected my blog…sigh.  And at least a year ago I promised to post brushes created by David Gell, who I consider to be the best brush master ever.  Many of David’s brushes were on his site, JitterBrush, but he took the site down and his variants were not available on-line.  He did give me permission to post all of them for you.  Well…since today is my birthday, I thought I would pass David’s gift to my blog readers.  I know, about time, right?

I have followed David’s Painter tutorials since I started using Painter and most of what I know about brushes comes from his generous sharing.  I created a David Gell Brush library so that I could have all of his variants in one place.  This library contains 28 brush categories and some of them are quite old and haven’t been available for some time.  But, I have always loved David’s variants, old or new, so I have kept them over the years.  With many thanks to David; here is David Gell Brush Library.

David Gell Brush Library

To install these brushes, first download the above file and save it to your computer, then open Painter, go to the Menu Bar and select Brushes > Import > Brush Library and select the downloaded file.  Please note, the installed file is a separate library.  You will need to switch back and forth between libraries.

Some of David’s brushes are pretty complex and need a bit of explanation.  As time permits I will post tips.  Many folks have requested Suminagashi 2 category included in the library.  I thought I would give you a few tips copied from David’s JitterBrush site about those variants.

Suminagashi and Suminagashi Grad Variants

Suminagashi Grad B variant with rainbow pinched gradient

The color rendering Suminagashi and Suminagashi Grad variants can produce a very fluid, ethereal look, even without the aid of softening or distorting variants.  Variants with Grad in their name take their color information from the currently selected gradient, while other variants employ color variability via the Color Variability palette.  For this image, I have chosen Suminagashi Grad B variant with Rainbow Pinched gradient.

Z Prefixed Variants

Z Takayama distorting the first image

Variants in this library prefixed with a Z in their name do not apply any color of their own, but distort the underlying imagery in many ways.  Comparing to the traditional Suminagashi technique, this would be the closest equivalent to disturbing the surface of the floating ink media so that the different colors and regions begin to mix and flow into each other.

For these particular variants, David configured them so that stylus pressure controls the magnitude of the distortion effect.  I used Z Takayama variant to distort the first image in this post.

Floranagashi and Grainagashi Variants

Floranagashi left, Grainagashi bottom and right side. Image first filled with two point gradient.

The Floranagashi variant can produce a sumi-e style branch and foliage effect, while the Grainagashi variant interacts with the currently selected paper texture.  The Z Grainagashi Smear variant does not apply any color, but smears the underlying pixels determined by the current paper texture.

For this image, I filled the canvas with two point gradient.  I created the bottom and right side of the image with the Grainagashi variant using Madness paper texture.  The branch like strokes on the left used the Floranagashi variant.

The Suminagashi Dragons

Top stoke, Fuku Riu variant Bottom Stroke, Sui Riu

Use undo and redo to achieve the desired look with these variants.  With a little trial and error, they can produce dragon-like forms, even complete with heads.  In this example, I used the Fuku Riu (Good Luck Dragon) variant for the top stroke and the Sui Riu (Dragon King/Rain Dragon) variant for the bottom stroke.

Life Form and Life Form Mono

Life Form, top storke
Life Form Mono, bottom stroke

The strokes produced by the Life Form and Life Form Mono variants appear alien, hence the name.  The Color Variability Panel randomizes the colors/values within the strokes.  Use a slower stroke speed to produce a more closed, tubular form, and faster strokes to give a more open “backbone” effect.  In this example, I used Life Form for the top stroke and Life Form Mono for the bottom stoke.  I altered the velocity of the stroke to showcase the different look at different speeds.

In case you didn’t know, Suminagashi is an ancient Japanese paper marbling technique.  Google it and learn more, there’s even a few videos about it on You Tube.  Other groups of people used the same techniques.  I am especially fond of Ebru.  I think I have some videos somewhere, probably You Tube, about making Ebru like images in Painter.  Check it out.

OK, that’s it for this post.  I hope you enjoy David’s variants.  I know I have.  And once again, David…thank you so much for your generosity.